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The new Special Issue is out!

Featuring an article on my work

 

 

 

 

 

 


In Search of the ‘Anti-Environment’: Breaking the ___________ distance (School of Visual Arts, MFA Computer Art, 2014)


This is a compilation of Art Projects incorporating technology, either as its final format or as a tool during the production process. The presentation starts with Marcel Duchamp’s “Rotary Glass Plates” from 1920 and it ends with “The Animal Is Absent” by Harsha Biswajit, produced on 2014.